9月15日（土）に表参道・青山・原宿にて一夜限り開催される「VOGUE FASHION'S NIGHT OUT 2018」。東京での開催は今年で10回目となります。今回、表参道ヒルズ 本館B1Fにその日だけ出現するフォトスポットを手掛けるのは、世界中で活躍する今注目の若手クリエイティブユニット Wade and Leta。2人はニューヨーク・ブルックリンを拠点に、アートディレクション、グラフィックデザイン、フォトグラファーなど幅広い分野で活動しています。
We interviewed Leta Sobjerajski, who is currently staying in Japan, regarding the creative work she does with her husband as part of the Wade and Leta team, from their production work on the campaign visuals of luxury brands to their invitations to lecture as opinion leaders around the world.
---- When did you become interested in the art and creative world?
I loved drawing since I was young. When I was 10 years old, I saw TV animation "Sailor Moon" and "Dragon Ball Z" for the first time, I got hooked up in that world and continued to draw animation characters all the time. In addition, on the 12th birthday, I bought Photoshop 7.0 and I scanned my own drawing on the PC. In junior high school and high school we received arts, architecture and drawing classes, and in high school third graders we created books we designed by themselves as graduation work of page layout class. From that time on, I began to be interested in work related to design.
---- Leta, you are involved in aspects of production like art direction and graphic design together with your husband Wade, fusing both of your sensibilities together in a variety of areas. Tell us about your career thus far, and how you met Wade.
After graduating from school, I first entered a motion graphic production company for TV and advertisement. Although it seemed possible to get to like the job content, I felt the limit of creation to work together with a big team. Though I gained experience at three design studios, I felt that I could not express "personality" in any studio and decided to independence. After that, I met Wade and talked about ideas with him, and while I was making it together, I became a positive and open-minded personality. And, after he became independent, we united with two people, and now I am able to challenge various things with him.
---- How do you divide up the roles you play when creating work together with Wade?
Wade is a lot more skilled at graphic design than I am, and he has an expert branding sense when it comes to thinking about typography and brand messages. As for me, I come up with the overall composition and consider the balance between colors. Our work combines his strategic thinking and my own emotional perspective.
---- Tell us about the “Complements Project,” the first project you did with Wade.
As soon as we met, Wade worked for a design company, and I was working at home as a freelance. First of all I wanted to do creative activities together, when I had about 1 or 2 times a week, I started shooting in an apartment where I live with two portraits. Most of it is a portrait photographed with unique idiots posing absurdly using close accessories, but when I uploaded it to Instagram, there was a tremendous response.
People who saw portraits experienced our "emotion" from the photographs, and the reaction that we were encouraged by the relationship and motivation of the two increased day by day.
---- Tell us about how you approach the creation of your work.
Sometimes I might be out shopping and find an interesting shape that sparks an idea, or I might refine my ideas while sketching. By sketching, I mean that I write down a question I have in my mind and then start drawing sketches in a dialogue with myself, which leads me to an answer.
When I first started out on my own, I had to use various actual materials to create what I wanted to see—I wasn’t able to envision the finished product. Nowadays, through various work I have done with clients, I’m able to imagine what the final product will look like by sketching it out.
---- 今回のFASHION'S NIGHT OUT で制作するフォトスポット「Utopian Zen」は、どのようにアイディアが生まれたのでしょうか？
Well, although the photo spot itself really isn’t that large, I wanted to create a place that brings a completely different space into being, where people will be transported into a world of the unknown through art. We added the concept of “Zen” to “Utopia,” expressing this through the world of graphics.
For the motif, I was inspired by the temples of Ryuanji in Kyoto and Meigetsuin in Kamakura. We use monochromatic lines on the floor to create ripples like those in the rock garden of Ryuanji, and the circle in the background was inspired by the windows of Meigetsuin. We mixed elements from nature like rocks and plants found in Japanese gardens, with geometric patterns from the 80’s and 90’s that I’m fond of.
By using layers and overlapping graphics, we were able to express a world that’s out of the ordinary. I’d be glad if everyone could come see what we’ve done for themselves, viewing it from different angles to enjoy fueling their imagination.
---- Can you tell us about what led you to become interested in Japan, and how you feel about Japan now as a result of living here?
As I mentioned, I became interested in Japan through TV anime. Also, my mother was a university professor, and she had set up an exchange program for Japanese students to come stay at our house. This motivated me to understand Japan at a deeper level. This time, I’m staying in Japan for three months, and again I’m so amazed at how the Japanese people have this sense of gratitude and respect for all kinds of things. By comparison, New York is a noisy and bustling place, and everybody seems to be thinking only about themselves!
---- What are your impressions of Omotesando as an urban area?
I really like the Omotesando and Harajuku areas, and go there often. I feel that these areas form the hub of design, fashion and art, and I feel stimulated just by looking at the people in these places.
---- What do you want to communicate through your art, and what kind of things do you want to get involved with in the future?
I want to give “emotion” to people. My hope is that the work we do will strike a chord with people in some way. Our ultimate goal is to continue our current activities, widening the scope of where we go.
Lately, we’ve received more invitations to speak publicly as guests in different countries, outside of our production work. We’ll be lecturing in Australia, Russia, Canada and so on from October. I’d be grateful if those around us could feel something from the activities that we like doing.
Wade Jeffree & Leta Sobierajski
Based out of Brooklyn, New York, Wade and Leta are married and are involved work as designers and art directors. Their designs express a twisted sense with vivid colors. Wade and Leta go beyond using photos and art, mixing various elements like fashion, technology and traditional graphic design to create their happy and emotional visuals.
Harajuku Omotesando Centennial Festival
Bong-dedication of the Meiji Shrine enshrined hundred years Festival in Harajuku Omotesando centennial Public holidays as a business, "the beginning of the one hundred years. The future of the thousand years." "Innovation to one hundred years of tradition × next generation" memorable of all people, to the earlier future dedication / Bong inherited Public holidays we will implement the project.
OMOTESANDO HILLS 2020 AUTUMN Newhere
あいまいな輪郭で描かれるふたりの人物、そして混ざり合うような『風景』は、日々変容していく時代に沿って、変わりつづけていくわたしたち自身です。 これまで以上に、ひととひととの繋がりを意識することになった2020 年。日々変わっていく価値観や変化を受け入れ、生まれ変わろうとする世界とともに、あたらしい自分、そしてあたらしい時代へ。 『Newhere』と題した今回は、アートディレクターに石塚 俊氏を迎え、美術作家の村田 啓氏とともに、表参道の街を舞台に撮りおろしています。 石塚 俊（いしづかしゅん）早稲田大学にて映像学を専攻、2014年よりフリーランス。舞台芸術や現代美術、音楽やファッションなどの分野において、宣伝美術や装丁、ディスプレイデザイン、映像制作などを行う。2019年、ファッションレーベル・PUGMENTとともにプロジェクトスペース「People」を立ち上げる。https://shunishizuka.com Art direction&Design: Shun IshizukaPhotography: Kei MurataLighting direction: Kwigwan Ryustyling: Maki KimuraHair&Make-up: Fumiko Hiraga for sense of humourModels: Lina/Ladies', Sebastien/ Men's(Image)Cooperation: Hirotaka, Urban ResearchPlanning&Production: RCKT/Rocket Company*
Autumn gem M EN U
We will develop "Autumn Gem M EN U" where you can enjoy delicious ingredients unique to autumn. Please enjoy the autumn-only gem that can only be enjoyed at OMOTESANDO HILLS.